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Hit Makers

summary ofHit MakersBook by Derek Thompson

13 min
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You’ll learn

  • How to turn any product into a hit
  • Why is mediocre art so popular
  • The secret of the “earworm”
  • Why copies are more successful than innovative originals

first KEY POINT

Success is less about the product and more about how it is marketed

Think back to the biggest Hollywood blockbusters of the past 12 months or the most popular songs. How did they become so successful? Was it down to hard work, or do marketing executives use psychological loopholes we’re blissfully unaware of?Everyone wants to be responsible for the biggest selling product or hit song, movie, or TV show; that’s what success means. It’s easy to assume that a lot of it comes down to luck and that your song or product is better than anything else. So why do some questionable novelty songs make it so big if that’s the case? The artists rarely have big follow-up hits, so what was it about that particular song that resonated so much with the general public?The truth is that it’s less about the actual song and far more about how it is marketed and presented on a broader scale. Advertisers are manipulating us in ways that we aren’t even aware of!You might assume that big hits come out of nowhere and take us all by storm. Yet, specific rules determine whether or not it will be a hit and how much of one. It’s about how the soon-to-be-hit connects psychologically with its audience and how it spreads on social media and influences the economic state.What does this mean? People can create hits by using tactics; they engineer them to be smash hits even if the work is far from high quality.

Psychology has long played a part in marketing; the mind can be manipulated into liking something far from its typical taste.

Manipulation through marketing goes a long way toward explaining why some products become huge, off-the-scale hits, and others fail to make even a dent in the market. Yet, it’s not a predictable science either. People’s tastes change from time to time.Have you ever wondered why you get stuck on a song you wouldn’t usually like? This summary will give you exciting insights into how the art of manipulation can easily push you into purchasing products. Perhaps you can use that knowledge to stop yourself from buying the next novelty tune that deep down you know is terrible!

second KEY POINT

We look for familiarity in the things we like

Human beings may appear complex, but we’re quite simple in our tastes deep down. We want to feel like we belong, and we want to be safe. For sure, sometimes we feel like going out and having an adventure, but we usually remain in our safety bubble. So when it comes to what is popular versus what is less so, it often comes down to how familiar it is to us.Derek Thompson explains that most people are both neophilic and neophobic. On the one hand, we’re keen to find new things and enjoy them, but at the same time, we’re also quite skeptical and scared of anything we don’t understand. To create a hit, be it a song, movie, or product, you need to find a way to pique the interest while keeping elements of it comfortably familiar. Thompson calls this the art of creating “familiar surprises.”In the 1950s, designer Raymond Loewy practically redesigned the New York City landscape. When he arrived in New York, he was taken aback at how ‘grungy’ it appeared with its full-scale urban appearance. In the following years, he took the lead on redesigning how the city looked, even down to the buses. But, how did he know what to do and how to make sure that people would like it? He used what he called the ‘MAYA’ rule.MAYA stands for “most advanced yet acceptable.” That means it’s new and innovative but retains a little of the familiar. As a result, it helps people stay comfortable and not feel like they’re in an alien landscape.

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first KEY POINT

The art of repetition is why THAT song stuck in your head

second KEY POINT

We have a love/hate relationship with popularity

third KEY POINT

A product going viral doesn’t happen by accident

fourth KEY POINT

The Hollywood box office is a less than predictable beast

fifth KEY POINT

Conclusion

About the author

Derek Thompson is an NPR's Here & Now news analyst and The Atlantic magazine's senior editor. He is in 2016 Forbes' “30 Under 30” list.

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Frequently asked questions

What is Hit Makers: The Science of Popularity in an Age of Distraction about?

Hit Makers, authored by Derek Thompson, explores the underlying principles of what makes certain ideas, products, or trends popular in today’s fast-paced digital landscape. The book delves into psychology, cultural phenomena, and the factors contributing to mass appeal, making it essential reading for anyone interested in marketing or social science.

Is Hit Makers: The Science of Popularity in an Age of Distraction worth reading?

Absolutely! Hit Makers is highly regarded for its insightful analysis and engaging writing, making it valuable for marketers, creatives, and anyone curious about cultural trends. Its blend of research and storytelling captivates readers, stimulating both thought and discussion.

How many pages is Hit Makers: The Science of Popularity in an Age of Distraction and when was it published?

Hit Makers spans about 336 pages and was published on April 25, 2017. This well-researched book offers a deep dive into the science of why certain hits resonate, making it a comprehensive read.

What are the key takeaways from Hit Makers: The Science of Popularity in an Age of Distraction?

Key takeaways from Hit Makers include the importance of familiarity and balance in creating appealing content, as well as the concept of cultural 'hitting.' Understanding how bias and distraction shape consumer behavior can empower marketers and creators to craft more impactful messages.

Who is the author of Hit Makers: The Science of Popularity in an Age of Distraction?

The book is authored by Derek Thompson, a senior editor at The Atlantic. Thompson combines journalism with academic research to present compelling insights on popular culture and consumer behavior, establishing himself as a credible voice in the field.